Sword Art Online II – 11

Somehow this episode wSILLY.STEWIE-GUNas worse than last week’s. I don’t know how, but it succeeded. There was even more Talk no Jutsu, followed by Kirito and Sinon making even more hilarious assumptions about who Death Gun is. By the way, some of the stuff Kirito finally surmised was pretty obvious, the first part being the fact that their Space Game Helmets can’t stop their hearts, given they’re not even connected to one’s heart in the first place. That doesn’t rule out brain damage and such from electrical shock, but again, a safer assumption is that manufacturers made sure these things were pretty damn safe. So if Death Gun can’t magically kill people from afar via computer code, then he’s somehow arranging their deaths in the real world. Makes sense.

Beyond that, though, everything Kirito and Sinon “figured out” about Death Gun while they were talking for twenty more minutes in slightly varied camera angles was the most contrived scenario I’ve seen in a while. His entire MO relies on this MMORPG requiring people to publicly display their personal information. That’s awfully convenient, you know. Why would any popular MMO do this? If it did, it certainly wouldn’t be popular.

Anyway, so Death Gun has an accomplice, right? The theory is that this accomplice incapacitates someone’s physical body while the in-game Death Gun gets ready to shoot them on screen and time their actions perfectly to create the illusion he has the power to execute people in-game. Right…so…first off, why isn’t there a way to temporarily disable the visual immersion of the Space Game Helmet so you can check your immediate surroundings? This seems like what any manufacturer of a VR device would do: make sure your connection to the real world is not so easily severed. Ignoring how people would demand this simple convenience, this sort of scenario with Death Gun would be the most obvious danger to the user. At the very least you should be able to access things like email and texting so you can keep in contact with people, right? Second, why does Kirito somehow think waking one’s self up to fight this accomplice is a bad idea? How do you even know he’s there at the time? Assuming they have a limited amount of whatever combinations of drugs that let them incapacitate people and cause cardiac arrest, they’re probably going to save this ritual until the very moment they’re sure they can pull it off. So the idea that Sinon is incapacitated in the real world at this very moment is absurd. Third, why does Kirito think the accomplice is injecting some sort of chemical into a person in order to incapacitate them when no medical evidence suggests this is the case? Even though bodies decompose, lacerations and injuries do not heal after people die. (Duh.) They’re pretty easy for coroners to find. Fourth, why doesn’t Kirito log-out or contact the fucking police so they get to Sinon’s address? Or the hospital where he’s at? In other words, why aren’t these people using their brains? Even if Sinon dies, they can still catch Death Gun’s accomplice with ease.

By the way, I wonder what “Sterben” means. Apparently Google doesn’t exist in the future, considering it took me three seconds to answer this question. What, does GGO not have an in-game browser at the very least? How lame is this “hardcore” MMO? It makes you put in your personally identifiable information in public, but it doesn’t have an in-game browser. Fucking EVE has that.

Maybe something will happen next week. Maybe they’ll all die.

Sword Art Online II – 10

Minute 1: SiSILLY.CANT-MOVEnon somehow has enough psychological composure in the face of utter panic to spout cliche philosophical ramblings on the meaning of fighting that every Shounen Anime has regurgitated a billion times before.

Minute 4: Kirito rescues Sinon. Plot twist: they get away.

Minute 6: Sinon somehow has a convenient mental breakdown in the face of a situation no less traumatic or dangerous than ones we have already witnessed her enduring with ease. The writers proceed apace with breaking down the character they’ve built up over the past nine episodes so she can fall in love with Kirito too. Everything is going according to plan. Someone stop them.

Minute 8: Pull the fucking trigger, Sinon. Then get in the fucking robot.

Minute 10: Death Gun somehow has the reflexes to see the high-powered sniper rifle bullet hit the car and explode AND leap off his Magical Robot Unicorn in time. In reality, all these events would take less time than it would for his nervous system to process. Death Gun should be dead.

Minute 12: Is the rest of this episode seriously going to take place in a fucking cave?

Minute 15: OVER-THE-TOP ANIME RENDITION OF PTSD THAT MAKES A BIGGER DEAL OUT OF SINON JUSTIFIABLY KILLING A CRAZY PERSON THREATENING HER MOTHER AND OTHER INNOCENT LIVES INSTEAD OF THE TRAUMA OF BEING THREATENED BY SAID CRAZY PERSON. BECAUSE KILLING PEOPLE IS ALWAYS BAD BECAUSE JAPANESE PACIFISM.

Minute 16: Sinon goes through more stages of PTSD and psychological trauma in minutes than what most victims transition through over months or years.

Minute 18: Sinon is still crying. Someone shoot her.

Minute 20: Now Kirito is talking. Someone shoot him.

Minute 21: Do even half of the Japanese viewers know what “Laughing Coffin” means?

Minute 22: What the fuck kind of ending is that?

Minute 23: Someone shoot everyone.

Sword Art Online II – 9

Wow, Kirito anSILLY.ASSUMEd Sinon. You sure bought first-class tickets on Assumption Airlines. No wonder you fell into an extremely obvious trap. You don’t know any of the things you said you did. You don’t know he’ll show up on the satellite scan; he might have a cloaking device. You don’t know he’ll head for the abandoned city because “he’s a sniper”; you just observed him using close-quarter ambush tactics to stun and execute someone. And how retarded can you be to stand around in wide open spaces talking about your plans when you have assumed your enemy is a precision sniper capable of literally killing people in a video game? You might want to take cover and obfuscate your moves as you approach the city. I dunno. Something intelligent, I guess. And I’m getting really tired of these semi-omniscient moments these characters have. People do not have the reaction time to dodge bullets like that.

Don’t worry, though, because our main antagonist is even more retarded than our protagonists. Double wow, Death Gun. You have first-hand experience fighting Kirito, the person who beat SAO because he got really pissed off and decided that game code just doesn’t apply to him. So your grand plan is…to piss him off? Isn’t that kind of exactly what happened the last time he beat a killer video game? How is this plan supposed to succeed? What happens if he is the real Kirito? What then? Are you going to kill him with your fancy gun thingie? What makes you think it’ll work on someone who can cow computer code into submission? Do you not have a brain? I mean, you were stupid enough to use the exact same logo of your notorious guild of murderers in a separate MMO, so I guess you’re either completely Japanesey insane or just an idiot. Either way, you’re only one step up from our last antagonist, Pedophile the Salaryman. That’s not saying much.

Oh no, I’m really on the edge of my seat as to what’ll happen next week. Dear me. It’s so thrilling. Will Sinon die?

Ha.

Sword Art Online II – 8

SILLY.OVERDRAMATIC

We get it, Kirito Sue the Magnificent: you’re scared. You’re traumatized. You’re so traumatized you’re wielding a giant hammer with “DEEP-SEATED EMOTIONAL ISSUES” scrawled on its hilt and beating all the viewers’ faces with it. So much so it’s kind of lost all of its weight. We don’t care. Why are you so afraid of Death Gun? I would like to remind you that you have conquered two MMOs, one in which you were under worse threat of death, through the sheer power of will.. You have literally willed yourself to ignore the game’s code and do whatever the fuck you want. This has been established and recognized by the games’ creator. You are actually God in this virtual universe for all intents and purposes, but you’re afraid of some guy in a mask. Instead of feeling Kirito’s anxiety, I was just amused and perplexed at how overdramatic he was being for no reason.

Behold! A textbook example on why everyone hates Mary Sues and why they never work. If there is no threat to the character, there is no tension for the viewer to experience, and thus there is no reason for them to become invested in what they are perceiving. These are some of the most foundational pillars of Human Storytelling. We are emotional creatures; stories are ways for us to share those emotions with one another. Nobody wants to see fucking Frodo waltz his way into Mordor on the Eagles’ backs; they want to see him carry it into Mordor, risking life and limb with no thought of himself, while his friends defend the free world at great risk to themselves. Kirito never experiences any real obstacles, only “challenges” we are commanded to take seriously by various elements of the show. Sword Art Online is high-school-level storytelling at best, but it’s gotten so popular because otaku and Japanophiles eat this shit up. We’re only five episodes removed from Episodes 2 and 3, and already everything is just boring. Here’s an idea: get rid of Kirito and go back to Episode 2 where Sinon was engaging in sniper duels with opponents that challenged her. That’s the part of this episode I enjoyed: watching Sinon do her thing like a real, legitimate character. Whenever Kirito shows up my eyes just gloss over because I already know what’s going to happen.

Surprise me, Sword Art Online II. You did it in Episodes 2 and 3. I’m sure you can do it again somehow.

Sword Art Online II – 7

This image sums up thSILLY.SEX-IS-GROSSe entire status of Kirito and Asuna’s relationship. It’s been seven episodes and I still don’t know why these two attractive young teenagers aren’t fucking like rabbits in a meadow. It probably has something to do with Japanese culture and its severe, crippling allergy to all things mildly related to realistic physical and emotional intimacy between people, opting instead to harp on the same three or four tired lines we’ve all heard before. Meanwhile, thousands of miles away: Sinon, you might want to kinda give the guy who obviously really cares about you a mature answer. No, you don’t have to like him back, but you could at least address the elephant in the room head on instead of doing what every other female anime protagonist has ever done, i.e., brush it off with an embarrassed chuckle. You don’t have many friends; it’s probably not a good idea to treat your most dedicated one like crap. Can’t you hear the red alert sirens going off? This is going to come back and bite you in the ass. The anime you’re in isn’t exactly pushing the bounds of creativity here. Jilted companion + mysterious group of villains = bad mojo.

Sigh. I really am sick to death of this aspect of Japanese culture. Really, I am. The stereotypes and cliches are more worn down than Asuna’s vibrator. Sure, occasionally we get something like 5 cm per second that depicts the Japanese perspective on relationships, but I’ve never seen some popular Japanese media actually criticize the way the Japanese deal with the topic of sex and physical intimacy. Believe you me, it is beyond twisted and monstrously unhealthy. Before ye mindless Japanophiles prate on about how the Japanese aren’t as prude as Americans and blah blah blah and how refreshing that is, I’m going to break this down a little bit with a giant sledge hammer: you are fucking wrong. The Japanese are less prudish about depicting nudity, that’s true; at everything else relating to sex and physical intimacy between human beings, they suck balls. Japanese culture makes a goddamn profession out of being terrible at depicting realistic relationships with realistic challenges–be they physical, mental, emotional, etc.–that occur in them. Due to its culture’s debilitating obsession with saving face for no good reason whatsoever, Japanese media shies away from this more vehemently than Ebola.

Let me drive this point home. When was the last time you saw in an anime any of the following:

  • A normal, stable couple depicted without any cliched romantic stereotypes, off-the-wall mental problems, or other horrible conditions used to fuel a plot about them?
    • When was the last time you saw such a couple have sex?
      • Was that sex actually shown onscreen?
      • When was that sex merely hinted at or disguised with some really thin euphemism that was played straight nevertheless?
    • When was the last time you saw that couple fight or discuss problems in a straightforward, mature manner? Dramatic elements are not the issue. Did they actually directly address what was going on between them?
  • A couple go through a breakup that was depicted onscreen?
    • Did they discuss this in a mature way? Even if it were comedic, did the anime try to touch on a few themes or elements seriously? (Something that happens regularly even in the most shallow American TV.)
  • Young protagonists with parents that are both alive, active in their children’s lives, yet dealing with troubles that do not include severe mental derangement or some other horrific conditions?
  • Gay people.
  • Gay people depicted as normal, healthy individuals? (Stop laughing.)
  • A gay relationship depicted in detail as normal, healthy, and praiseworthy? (I mean it. This is serious.)

In comparison, when was the last time you saw in an anime any of the following:

  • Boobies.
    • But no actual tits or vaginas.
  • Highly sexualized school girl uniforms.
  • Swimsuit episodes.
  • Harems.
  • Magical girls.
  • Any female over thirty that isn’t a total bitch or otherwise a terrible person.
  • Highly effeminate yet-totally-not-gay people who are insulting stereotypes.
  • Lecherous men whose noses have more blood than the rest of their bodies.
  • Extremely shy guys who have to eventually blurt out their feelings to a woman who just doesn’t get it because women are stupid. (See above.)
  • Asshole men with hearts of gold who can’t admit their feelings about a woman ever.
  • Oblivious men who take two hundred fucking episodes to figure out they really like the female protagonist, but only to get married to. (I’m looking at you, Rurouni Kenshin.)
  • Women who say no, but really, really, really mean yes.

Weigh those on a scale. See what happens.

Oh, right. Back to the actual episode. Ummmmmmmmmmmmmmmmm, that’s it. It was typical SAO filler. Kirito, you did the right thing. We’ve already been through this part of your emotional development. You killed people in SAO. You got over it. Let it go. Let it go. Can’t hold it back anymore…

(The moral of this post is that Japanese culture is really fucked up.)

Sword Art Online – 6

Kirito Sue theSILLY.CHEAT-CODES Magnificent is the biggest cheater on the face of the planet.

This was a bad episode. The writers skimped on everything here. Instead of doing something ambitious, like, say, crafting an epic duel between Kirito and Sinon over several episodes that might define the whole season, having them go back and forth and using the terrain, environments, etc. to play to their strengths and weaknesses, while diving into the themes and issues they brought up in this episode during the battle–something an anime made ten years ago would’ve done without the slightest bit of hesitation–they set up some stupid traumatic memory to get Kirito REALLY ANGRY, then have him win because reasons. We all knew this was going to happen, but the devil’s in the details, kids. Sinon misses like ten shots when she’s sitting completely still while Kirito is standing completely still and not making the slightest bit of effort to move. Not one of them hit him, too. Not even a graze. Given how probability works in these games, I’m pretty sure *one* of them should have damaged him. Furthermore, the sudden shift in Sinon’s behavior was just stupid. She’s already stared down some monsters while her teammates were getting massacred and handled everything perfectly. Why the fuck does she care if this random twerp she’s come across is throwing the match? If you want to set up Sinon as some stone-cold killer, you have to be consistent about it, not transform her into a weak-willed Japanese girl falling for Kirito’s nonexistent charms on the turn of a dime/bullet. Come on, writers: this is basic character development. Ugh.

I also didn’t buy Kirito’s whole PTSD thing. How many people did he kill in SAO? Why is he all of the sudden remembering this now? Like, haven’t we already gone through this character arc before? You’re not going to get me to believe Kirito is still wrapped up in that. One, it cheapens the real issues that people with PTSD go through, and two, it just feels way too forced and convenient here to be really convincing. Also, Sinon, why the fuck didn’t you just call for a reset on the duel, cool your jets, and kick the guy’s ass? Why settle for conditions where you know Kirito can pull some of his crazy shit you’ve been watching for hours already?

Barf.

Sword Art Online 2 – 5

This episo4a8f83ec-52e8-4b22-b1ad-75290759422ede was not as bad as last week’s, but it wasn’t as good as the three before that either. Only the abrupt resolution of the gender confusion subplot, something no experienced online gamer would find shocking in the slightest, surprised me. I had thought they would drag that out for a good while longer. In retrospect, this ruined the episode for me, as it just wasn’t believable that Sinon was so naive about guys using female avatars. This would be like being astounded at finding out that online gamers cuss or something. The nerve!

The rest was smooth, predictable sailing on a balmy sea. Kirito had his first match and won; it was the opposite of gripping. Really? A hardcore MMO hasn’t figured out how to make melee weapons work? You don’t say. To add insult to injury, Sinon got little screentime, because “fuck feminism,” says Japan. Death Gun finally showed up, confronting Kirito mask-to-face and implying he’s someone he’s met before. How did Kirito discern this from a sterile video game avatar? Why would Death Gun have an obscure tattoo to identify himself with? Seems kinda problematic.

Anyway, not very exciting, but not boring. Whatever.

Sword Art Online II – 4

SRS.WILDSTAR-TELEGRAPHJust dodge the damn telegraphs, Sinon. Haven’t you played Wildstar? Anyway, I really don’t have too much to say about this episode, other than it’s the worst of the season so far. Kirito did some bullshit because reasons, while Sinon stood around explaining gameplay mechanics that aren’t likely to ever play any significant role again. This is what I don’t like about SAO: the writing is far too lazy. Instead of using the gameplay mechanics it goes out of its way to demonstrate and establish in order to create compelling constraints for the characters to overcome, the series just plays the Deus Ex Machina card as much as it can. It felt like they copy-pasted an episode from season 1. Likewise, I hate how Kirito doesn’t have to worry about the stat mechanics and shit in this “hardcore” game. You might want to withdraw that adjective, as no “hardcore” game I know of allows that kind of nonsense. Whatever.

I was delighted by the fact that they hired a native English speaker–or at least someone who knows how to pronounce the language–to voice the gunman NPC. “I’m gonna shoot you from here to the Moon!” You’re getting there, Japan. Keep trying. Go for it with gusto. Moreover, I didn’t buy how somehow the game offers melee weapons but makes them completely useless. MMO players are notoriously good at optimization and min-maxing. If someone figured out how to pull off a melee build with success, it would’ve been done long before Kirito Sue ever showed up.

Yeah, kinda of a letdown compared to the last two episodes. We saw the seeds of Sinon falling for Kirito too at the end there. Blaaaaaaaaaaah. I’ll be a little bummed if this turns out to be the season’s peak. Let’s hope not.

Sword Art Online II – 3

SRS.GUN-BARRELWell, this episode entertained me much more than I expected. We’re only three episodes into the season and I find myself enjoying this one far more than the previous iteration of SAO. In fact, I had to eat some of my own words on character development. This week the writers took a break from all online vidya game action and plunged headlong into the mind of Sinon, our new heroine, an surprising and successful attempt, I might add. Although the pace of that character development was too quick for my tastes–they could have drawn it out into the rest of her character arc had they played their cards right–it was nice to see Sinon possess depth to her character, as opposed to just being a token member of Kirito’s Harem. This girl is playing this game for a very good reason that resonates with her psychology and experiences as a human being? Lies! Someone must have gotten drunk in the writer’s room one night.

Now, to be fair, I don’t expect this glimpse of maturity in the series to sustain itself for very long, since next week’s episode is entitled “GGO.” Kirito Sue the Magnificent doth rise as the sun. Nevertheless, SAO2 has passed my scrutiny: I’ll keep watching the series for the whole season. I think it’s unlikely the writers won’t give us a decent payoff on this character on some level or another. Even if Sinon eventually succumbs to fawning over Kirito in the end for Literally No Reason, I’ll be at least pleased to see a character arc played out in a proper manner. If only that could be said for everyone else in this anime, but you have to count your blessings. My only gripe here is that Asuna is being sidelined faster than you can say “Count Dooku,” a crying shame. The author of this series can’t stick with one strong female character and invest in her: he/she has to keep tacking on new ones. Meh. Still, that’s been happening for a whole season now, so it’s hardly news. Hooray for casual Japanese misogyny.

Besides that, Episode 3 gets a thumbs up from me. Not much else to say without spoilers. Well played, SAO2. Let’s see what else you can do.

Sword Art Online II – 2

SILLY.PONY-SNIPERGood job, SAO2. You managed to hold my interest for a second episode. Most animes fail to do this, as they spend all their budget, time, and effort hooking you with the pilot, leading right into a loss of quality appropriately compared to the Cliffs of Insanity. What made this episode fun for me was that it showcased the l33t skillz of someone other than Kirito Sue the Magnificent, using rather intelligent (until the very end) gunplay that made the scene tense and exciting. See, writers? If you give your characters some sensible constraints and have them overcome them through their own wits and capabilities, it’s much more satisfying in the end. Anyway, Sinon or whatever-her-name-is is being telegraphed as some textbook PTSD-afflicted, brooding gunslinger girl, but I’ve given up on “character development” in this franchise, so it doesn’t faze me. My only demand for this season is for Sinon to contribute substantially to the plot apart from her sheer existence. You know, unlike Asuka, who was quickly sidelined into the Helpless Princess in Another Castle to make room for more bullshit glory for Kirito.

The next episode will probably have Kirito enter the hardcore world of Gun Gale Online and somehow catching up to everyone really quickly. Asit tal-eb. Keep the animation pretty, the action fun to watch, and Sinon not a female stereotype, and I’ll keep watching, SAO2. I know it might be hard, but you can do it. Just put your back into it.