Sword Art Online II – 11

Somehow this episode wSILLY.STEWIE-GUNas worse than last week’s. I don’t know how, but it succeeded. There was even more Talk no Jutsu, followed by Kirito and Sinon making even more hilarious assumptions about who Death Gun is. By the way, some of the stuff Kirito finally surmised was pretty obvious, the first part being the fact that their Space Game Helmets can’t stop their hearts, given they’re not even connected to one’s heart in the first place. That doesn’t rule out brain damage and such from electrical shock, but again, a safer assumption is that manufacturers made sure these things were pretty damn safe. So if Death Gun can’t magically kill people from afar via computer code, then he’s somehow arranging their deaths in the real world. Makes sense.

Beyond that, though, everything Kirito and Sinon “figured out” about Death Gun while they were talking for twenty more minutes in slightly varied camera angles was the most contrived scenario I’ve seen in a while. His entire MO relies on this MMORPG requiring people to publicly display their personal information. That’s awfully convenient, you know. Why would any popular MMO do this? If it did, it certainly wouldn’t be popular.

Anyway, so Death Gun has an accomplice, right? The theory is that this accomplice incapacitates someone’s physical body while the in-game Death Gun gets ready to shoot them on screen and time their actions perfectly to create the illusion he has the power to execute people in-game. Right…so…first off, why isn’t there a way to temporarily disable the visual immersion of the Space Game Helmet so you can check your immediate surroundings? This seems like what any manufacturer of a VR device would do: make sure your connection to the real world is not so easily severed. Ignoring how people would demand this simple convenience, this sort of scenario with Death Gun would be the most obvious danger to the user. At the very least you should be able to access things like email and texting so you can keep in contact with people, right? Second, why does Kirito somehow think waking one’s self up to fight this accomplice is a bad idea? How do you even know he’s there at the time? Assuming they have a limited amount of whatever combinations of drugs that let them incapacitate people and cause cardiac arrest, they’re probably going to save this ritual until the very moment they’re sure they can pull it off. So the idea that Sinon is incapacitated in the real world at this very moment is absurd. Third, why does Kirito think the accomplice is injecting some sort of chemical into a person in order to incapacitate them when no medical evidence suggests this is the case? Even though bodies decompose, lacerations and injuries do not heal after people die. (Duh.) They’re pretty easy for coroners to find. Fourth, why doesn’t Kirito log-out or contact the fucking police so they get to Sinon’s address? Or the hospital where he’s at? In other words, why aren’t these people using their brains? Even if Sinon dies, they can still catch Death Gun’s accomplice with ease.

By the way, I wonder what “Sterben” means. Apparently Google doesn’t exist in the future, considering it took me three seconds to answer this question. What, does GGO not have an in-game browser at the very least? How lame is this “hardcore” MMO? It makes you put in your personally identifiable information in public, but it doesn’t have an in-game browser. Fucking EVE has that.

Maybe something will happen next week. Maybe they’ll all die.

Zankyou no Terror – 8

SILLY.BORED

BOOOOOOOOOOOOOOOOOOOOOOOOOOOOOORED.

If I want to entertain myself by watching people talk for half an hour, I’ll go rewatch Stand Alone Complex. This is not that. There was nothing redeeming about this episode whatsoever. It dithered about trying to be pensive, foreboding, and tense, but didn’t get close to any one of them. To make matters worse, despite all the nominal “exposition” we got in this episode, none of it amounted to anything that we didn’t already know. Shibazaki gets fired and blackmails some Cliche Corrupt Japanese Politician, whose face looks like they copy-pasted some old Japanese dude’s Facebook profile, to find out that the Japanese government did some Unit 731-type sociological experimentation on orphans. Man, what a scoop! If only this episode had given some real details about anything about the backstory of this setting. If only.

So Hazuki Nagisa the Insane and Aizen Sousuke the Younger finally have some interpersonal conflict that feels incredibly forced and stupid. Why exactly does Twelve care so much about Lisa? This would work had this anime actually spent time developing the relationship between these characters, but it hasn’t. So now, once again, we’re told he cares about her and we’re supposed to accept that. We’re also supposed to be afraid of Gasai Yuno the Evil’s kidnapping of Lisa. How did she know where the terrorists lived? Lisa ran away from home and didn’t tell anyone where she was going. Can you say “plot hole”? Because I can. I can say it a lot. This anime has three episodes left and I can just barely be arsed to keep watching thanks to the sunk cost fallacy.

Ugh, way to waste a two-week hiatus, Zankyou no Terror, not that you were worth much of anything to begin with.

Sword Art Online II – 9

Wow, Kirito anSILLY.ASSUMEd Sinon. You sure bought first-class tickets on Assumption Airlines. No wonder you fell into an extremely obvious trap. You don’t know any of the things you said you did. You don’t know he’ll show up on the satellite scan; he might have a cloaking device. You don’t know he’ll head for the abandoned city because “he’s a sniper”; you just observed him using close-quarter ambush tactics to stun and execute someone. And how retarded can you be to stand around in wide open spaces talking about your plans when you have assumed your enemy is a precision sniper capable of literally killing people in a video game? You might want to take cover and obfuscate your moves as you approach the city. I dunno. Something intelligent, I guess. And I’m getting really tired of these semi-omniscient moments these characters have. People do not have the reaction time to dodge bullets like that.

Don’t worry, though, because our main antagonist is even more retarded than our protagonists. Double wow, Death Gun. You have first-hand experience fighting Kirito, the person who beat SAO because he got really pissed off and decided that game code just doesn’t apply to him. So your grand plan is…to piss him off? Isn’t that kind of exactly what happened the last time he beat a killer video game? How is this plan supposed to succeed? What happens if he is the real Kirito? What then? Are you going to kill him with your fancy gun thingie? What makes you think it’ll work on someone who can cow computer code into submission? Do you not have a brain? I mean, you were stupid enough to use the exact same logo of your notorious guild of murderers in a separate MMO, so I guess you’re either completely Japanesey insane or just an idiot. Either way, you’re only one step up from our last antagonist, Pedophile the Salaryman. That’s not saying much.

Oh no, I’m really on the edge of my seat as to what’ll happen next week. Dear me. It’s so thrilling. Will Sinon die?

Ha.

Sword Art Online II – 8

SILLY.OVERDRAMATIC

We get it, Kirito Sue the Magnificent: you’re scared. You’re traumatized. You’re so traumatized you’re wielding a giant hammer with “DEEP-SEATED EMOTIONAL ISSUES” scrawled on its hilt and beating all the viewers’ faces with it. So much so it’s kind of lost all of its weight. We don’t care. Why are you so afraid of Death Gun? I would like to remind you that you have conquered two MMOs, one in which you were under worse threat of death, through the sheer power of will.. You have literally willed yourself to ignore the game’s code and do whatever the fuck you want. This has been established and recognized by the games’ creator. You are actually God in this virtual universe for all intents and purposes, but you’re afraid of some guy in a mask. Instead of feeling Kirito’s anxiety, I was just amused and perplexed at how overdramatic he was being for no reason.

Behold! A textbook example on why everyone hates Mary Sues and why they never work. If there is no threat to the character, there is no tension for the viewer to experience, and thus there is no reason for them to become invested in what they are perceiving. These are some of the most foundational pillars of Human Storytelling. We are emotional creatures; stories are ways for us to share those emotions with one another. Nobody wants to see fucking Frodo waltz his way into Mordor on the Eagles’ backs; they want to see him carry it into Mordor, risking life and limb with no thought of himself, while his friends defend the free world at great risk to themselves. Kirito never experiences any real obstacles, only “challenges” we are commanded to take seriously by various elements of the show. Sword Art Online is high-school-level storytelling at best, but it’s gotten so popular because otaku and Japanophiles eat this shit up. We’re only five episodes removed from Episodes 2 and 3, and already everything is just boring. Here’s an idea: get rid of Kirito and go back to Episode 2 where Sinon was engaging in sniper duels with opponents that challenged her. That’s the part of this episode I enjoyed: watching Sinon do her thing like a real, legitimate character. Whenever Kirito shows up my eyes just gloss over because I already know what’s going to happen.

Surprise me, Sword Art Online II. You did it in Episodes 2 and 3. I’m sure you can do it again somehow.

Zankyou no Terror – 6

BADDO ENGURISHU, LOSILLY.ENGRISHL.

It’s actually funny, since the English itself was decently written. It’s just that Japanese studios still haven’t figured out how to hire English voice actors for more than one or two lines.
 
As usual, Zankyou no Terror fails to notice its internal contradictions and other bullshit. For the past five episodes, the genius terrorists have been setting off bombs in public buildings and areas. Let me say that again: they bombed the Tokyo Metropolitan Building, bombed an unevacuated police station, almost bombed a shrine, and now they just bombed a major metropolitan subway station. Despite this, multiple times in this episode they remark on how they’re really NOT mass murderers who aren’t playing a game. I lost count of how many times I remarked “you mean just like you’re doing?” when they condemned Five’s antics. Her actions and the terrorists’s actions are more or less indistinguishable; the only difference is that she doesn’t possess the aegis of the writers who have written off all their poorly-conceived bombings as somehow death-free, which automatically makes them “good” in their mind. Even this last one where they set a bomb in one of the busiest subway stations in the country in one of the most densely populated areas of the world results in only a few dozen injuries. No deaths. Riiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiight.
 
Do you *still* think this is a good anime? Because it’s far from it. This show fails in every literary facet. Last week’s scenario was somewhat exciting and tense because it was a change of pace from the one-sided puzzles that failed to establish our protagonists’ motivations or reasons despite having a third of a normal anime season to do so. Now they’ve just revealed a villain who is only a villain because of writer fiat. So this episode crumbles into boredom. To wit, I don’t know why these protagonist genius terrorists are supposed to be “good”; I don’t know why Five is supposed to be bad. Is it because she giggles? Is it because she’s American? It is because she’s playing chess with an airport bombing scenario–you know, just like our terrorist duo have done four times in a row on national television? Hey, idiots: if you’re worried about your actions being misinterpreted and hijacked to cause mass murder, it’s probably not a good idea to take actions that lead directly to mass murder. Like bombing public institutions. Why should I care about this conflict if the main enemy is doing something only slightly different from what these protagonists have been? The question “what if something goes wrong?” rears its screaming head without ceasing. Lo! Something goes wrong and the protagonists are fucked. Pardon me while I muster up some tears.
 
So it’s episode 6 out of 11 and I still don’t know what’s going on. What is Aizen Sousuke the Younger after? Why did they steal nuclear material and get America involved? Why is America even involved in such a capacity? In a more practical scenario, you might have some American experts working alongside their Japanese counterparts in an advisory capacity; they would not be heading up a secret team of American operatives with EXTREMELY TOPICAL MASS SURVEILLANCE EQUIPMENT operating inside a foreign country unless the Japanese government expressly requested their direct aid. And this is what I hate about this series the most: it doesn’t take much thought to devise a similar scenario that’s far more plausible. Have the Japanese government innocently request American help, then have just Five and her handler come in and subtly manipulate the Japanese team. Do you really have to insult both Japan and America by acting like the Japanese Cabinet just swallows orders from America without question or protest?
 
It’s really sad to see Yoko Kanno working her magic on such a useless series. In quaint irony, I was just listening to some Cowboy Bebop songs the other day. What I really miss in anime is that mature ring of majesty it used to hold its head high with. There’s none of that here. No Ballad of Fallen Angels, no Real Folk Blues. Just dull, somber, trite commentary trying oh so hard to be relevant. It’s the perfect example of putting the cart before the horse. No amount of social commentary can make Aizen Sousuke the Younger interesting; no amount of badly Engrish’d hacking scenes can make Five a compelling foe. If you hit upon a creative spark and forge a cast of memorable characters that we care about, everything else tends to fall into place on its own. Zankyou no Terror tastes like ash, with all its tropes, easy choices, and unremarkable characters. Anime has such incredible potential to ponder things in a way no other medium can. It’s always a crying shame to see it wasted so carelessly.

Sword Art Online – 6

Kirito Sue theSILLY.CHEAT-CODES Magnificent is the biggest cheater on the face of the planet.

This was a bad episode. The writers skimped on everything here. Instead of doing something ambitious, like, say, crafting an epic duel between Kirito and Sinon over several episodes that might define the whole season, having them go back and forth and using the terrain, environments, etc. to play to their strengths and weaknesses, while diving into the themes and issues they brought up in this episode during the battle–something an anime made ten years ago would’ve done without the slightest bit of hesitation–they set up some stupid traumatic memory to get Kirito REALLY ANGRY, then have him win because reasons. We all knew this was going to happen, but the devil’s in the details, kids. Sinon misses like ten shots when she’s sitting completely still while Kirito is standing completely still and not making the slightest bit of effort to move. Not one of them hit him, too. Not even a graze. Given how probability works in these games, I’m pretty sure *one* of them should have damaged him. Furthermore, the sudden shift in Sinon’s behavior was just stupid. She’s already stared down some monsters while her teammates were getting massacred and handled everything perfectly. Why the fuck does she care if this random twerp she’s come across is throwing the match? If you want to set up Sinon as some stone-cold killer, you have to be consistent about it, not transform her into a weak-willed Japanese girl falling for Kirito’s nonexistent charms on the turn of a dime/bullet. Come on, writers: this is basic character development. Ugh.

I also didn’t buy Kirito’s whole PTSD thing. How many people did he kill in SAO? Why is he all of the sudden remembering this now? Like, haven’t we already gone through this character arc before? You’re not going to get me to believe Kirito is still wrapped up in that. One, it cheapens the real issues that people with PTSD go through, and two, it just feels way too forced and convenient here to be really convincing. Also, Sinon, why the fuck didn’t you just call for a reset on the duel, cool your jets, and kick the guy’s ass? Why settle for conditions where you know Kirito can pull some of his crazy shit you’ve been watching for hours already?

Barf.

Zankyou no Terror – 5

BioShock-Infinite-18HA HA HA HA HA. I CAN’T BELIEVE IT. THE EVIL AMERICANS. BBBTTHHA HA HA HA.  THE EVIL AMERICANS HAVE ARRIVED. HA HA HA HA HA HA HA.

Oh my god, I laughed so hard when I saw the “United States Line” on the plane and the big American flag plastered on the tail fin just to ensure the viewer couldn’t possibly miss the message. Ain’t nothing gonna stop that anvil now, not even the very hills!

This was one of the worst and hands-down the best episode of Zankyou no Terror so far. Funny how that works. It was terrible because the plot was so ridiculous and the tropes legion beyond count; it was good simply because the writers finally figured out that protagonists need obstacles to make a story interesting. I had a reason to care about what was going on, as shallow and retarded as it was! There was a sense of risk! The genius terrorists might actually fail! They’ve met their match! After four dry-as-bone episodes setting up these bland cardboard stereotypes, something exciting happened!

Of course, the writers couldn’t craft something remotely cogent to do this. They had to backtrack and make the genius terrorists complete idiots this time, as opposed to mostly idiots. They set up a bomb on the fucking Shinjuku Line in downtown Tokyo, one of the most crowded places in the world, set it to go off at 8pm automatically, and just let it ride around the city while they wait for the police to fall for their trap. Seriously? At 8pm? When everyone’s out and about? With no backup plan? Like, WTF, kids? I thought you were supposed to be ten steps ahead of everyone. What was your whole plan? Hope the police disarm the bomb? What if they didn’t know jack shit about the Bible, let alone the Apocrypha? Did you know that maybe 1% of Japan is Christian? The average Japanese person probably couldn’t even name the first five books of the Bible. What if Shibazaki was sick that day and couldn’t be contacted? What would you do then? What if the incompetent police remained incompetent and failed to guess your riddle? If you didn’t intend for the bomb to go off and kill a bunch of innocent people (ignoring the scores you killed at that totally unevacuated police station in episode 2 that the writers hope you forgot about), thus ruining any sympathy you might have ever garnered from the general public, why the FUCK DID YOU GIVE THE BOMB A TIMER?  That’s exactly the opposite of what you should have done. Why not ensure your plan can’t fail with simple foresight? Just build it so it can only be detonated manually. HOLY SHIT.

Oh, right, because Little Evil Bitch shows up with her British-American counterpart projecting a 10km-radius field of idiocy around the Metropolis of Tokyo so your brains just shut down. Have I mistaken this series for a satiric comedy? Because seriously, this episode was so hilarious I couldn’t stand it. Ooh, I guess Five’s supposed to be creepy because she’s a WOMAN and she paints her nails WHILE SMILING. OOOOOOOOOH. I’M SCAAAARED. And why did Aizen Sousuke the Younger get a headache right at that time? And of course the Japanese police are craven and take orders from their real masters: the American Empire. Did you get that message too? Because we all know that random Americans can just show up at the Metropolitan Police Department and shut down the whole cellular network of Tokyo in an hour. America can do that sort of thing. It’s not like there’s this little factor called diplomacy in play that would never allow this to ever ever happen. Because Japan is a puppet of America. America calls the shots. American Empire. You get it?

By the way, Shibazaki got demoted to the archives because he gathered evidence on police corruption and that’s why everyone hates him and he doesn’t give a shit. There, I just figured out his backstory by paying attention to what they say. Lisa and Five are the last hope for this series, but I’m joking of course: there is no hope. Lisa’s just a bashful, repressed Japanese girl and Five’s a deranged psychopath, because no character in an anime–certainly not a woman–can ever not be a dehydrated cliche.

At least the terrorists finally fucked up and killed/hurt some innocent people. Maybe next week something even worse will happen to them. I hope all these twerps fucking die and the evil Americans win. All Hail Columbia.

Zankyou no Terror – 4

“We haven’t a sSRS.HACKINGingle clue about the perpetrators!”

Except the not-Youtube video clearly showing many of their physical features, unscrambled voices, and personalities. You know you are looking for at least two, unlikely more, young teenagers, one with black hair, one with brown hair, of X approximate height and weight. You have a fucking police sketch that people out in the sticks recognize, for God’s sake. Man, these police fucking suck. Oh, and apparently Bitcoin is a thing now even though the Japanese government doesn’t accept it. In fact, why would the Japanese government approve a request for gunpowder under such suspicious circumstances? Holy shit. Do these people not read what they’re writing? Meanwhile, downtown in Stupidburg, hacking is done through DOS and two teenagers with a fucking laptop can hack the Tokyo Metropolitan Police Department with such ridiculous commands as “/attack” and shit. Also, I haven’t forgotten how the writers completely glossed over the many innocent deaths their bombing of the police station racked up. Other bloggers have done so, being so easily sucked in by this C-grade hack prose, but yeah, not a single word of that has been mentioned in any of the police department’s briefings. I know why, though: these two sociopaths have a real moral code, unlike all the adults out there who’ve forgotten what it is to be human, especially those responsible for their terrible childhood. Stop feeding us this high-school freshmen social criticism. Your plot is not deep, Zankyou no Terror. It is the exact opposite of deep. It is so shallow the water doesn’t even cover my pinky toe.

Blah blah blah, Hazuki Nagisa the Insane rescues Lisa as we knew he would. Man, I was so on the edge of my seat for that. I had no idea that’s how the plot would go. No, seriously. Took me completely by surprise! Gasp! Can we move on now? It’s been four fucking episodes; stop telegraphing this shit and get on with the plot. Oh, and Lisa finally gets the psychological release she’s been longing for because of her TERRIBLE FAMILY AND BULLYING JAPANESE SOCIETY AND BOO HOO HOO. Whaa. There, I cried. Done? Didn’t think so.

Blah blah blah, Shibazaki uses his head and solves the crime on his own, but the CORRUPT INCOMPETENT MINDLESS STUPID SOULLESS OLD UNINNOVATIVE STALE BOORISH (insert a thousand more scathing adjectives for good measure, since we can’t squeeze enough commentary into this show) police department can’t recognize an obvious trap and goes in guns blazing, resulting in their embarrassment in front of the public…instead of an actual bombing, which would make me care and give the terrorists some weight behind their words. After all, we can’t have the viewers thinking bad things about Aizen Sousuke the Younger, can we? We can’t let them realize these are just two terrorists putting the lives of untold people at risk with their antics? No, we’ll embarrass the police department instead of making them suffer real consequences for their stupidity. It’s more anvilicious that way!

I guess have to say this again: I DON’T GIVE A SHIT ABOUT THIS CONFLICT BETWEEN THE TERRORISTS AND THE POLICE. There’s been no sense of risk or danger to them. They’re just a thousand steps ahead of everyone because MAGICAL REASONS. They are two 17-something teenage boys. They do not have the logistical capabilities or expertise to take on the fucking Japanese government. Or any government. Or any semi-competent agency interested in doing its goddamned job.

It’s like the writers just keep throwing whole kitchen sinks at you labeled “COMMENTARY ON CONTEMPORARY JAPANESE SOCIETY” at the viewer and hoping you don’t think about it because YOU’RE TOO BUSY DODGING GODDAMN KITCHEN SINKS.

FUCK.

Balance – I

Before I start up the stream here shortly, I figured I’d give some of my own thoughts after the latest shitstorm of community opinions on LoL balance. Unlike in World of Warcraft, League of Legends does not have an established community of sober theorycrafters built up over years of experience, a vital asset and foil to Blizzard’s attempts at making the game better. LoL simply doesn’t encourage that kind of behavior: it’s a competitive multiplayer online game accessible to the masses. These days in WoW, you can trust the high-level theorycrafters to have some idea of what they’re talking about; they often know better than the developers themselves to some degree, although not all the time.

Last week, Lucian got “nerfed.” Specifically, his basic attack range got reduced by 10% from 550 to 500. While 10% isn’t the biggest number to throw around in the history of statistics, it’s a pretty significant loss at the margin for ADCs. The community, of course, declared Lucian to be dead and went crazy with its pronunciations of doom, which led Riot to overreact and overcompensate him with massive mobility buffs, leading to the unstoppable, faceroll nightmare we now find in solo queue. Good job, community. I’m sure you took responsibility for your panicked, emotional temper tantrum and rethought how you look at champion balance. Except for the part where you didn’t. Now you’ve got millions of people having to endure idiot Lucians who can get away with anything because you didn’t want to analyze the changes to him in a mature, professional way. Your childish panic attacks have consequences, in case you didn’t notice.

Now, a scant few days later with nerfs on the PBE again, we find the community declaring the end of Elise. Just like the last end of Elise when she got “gutted” too, which never happened. Thresh is also losing some minor assets among the shitzillion he already has, and people are crying about that. Deathfire Grasp is being nerfed, by that meaning getting its cooldown increased from 60 to 90 seconds–just like so many other major cooldowns in the game. Heaven help us. Assassins are dead, right? Poor Ahri, says Reddit.

Thoughts on a few champions:

Elise – I don’t play as a jungler, so I can’t comment on the specific consequences of each nerf. The only thing I can reiterate is that she was “gutted” recently to no consequence, so I’m suspicious of all the doom and gloom surrounding this. However, her nerfs are beside the point. All decisions about Elise or any of the other junglers stem from the overbearing monster that is Lee Sin, which the community outright refuses to let Riot nerf. Am I supposed to cry for the community when it’s the source of a huge balance problem? Fuck you, LoL players, especially the pros: you know Lee Sin is a balance joke that needs to be toned down to size for the health of the game, but you don’t fucking give a shit. You like him being OP, plain and simple. You like being able to pull of all the shit he does without consequence because it makes you feel superior and badass. Fuck you. You’re not that skilled; you’re not that awesome. Every other jungler in the game suffers because of your fetish with this guy. Let Riot do its job. Nobody likes playing against Lee Sin. Nobody.

Thresh – this is the Lee Sin of botlane. Not even Braum is as bad as he is. This fucker has been superior to other supports since Day 1 of his release, yet everyone cries every time Riot tries to trim him down. Holy crap, they nerfed his ultimate, which no longer deals massive AOE damage? UNNECESSARY. Because having massive damage on an ult that cuts off all escape and utterly disrupts teamfights is necessary to make Thresh viable, right? Same with the AoE shield nerf on his lantern. Thresh has to have that too to be competitive, not just the other things he can do with his whole kit, which, as I’ll remind the reader, amount to the following:

  • Incredible engage
  • Incredible disengage
  • Two slows, one effectively a root
  • Two positioning displacement abilities
  • Hard CC
  • A hostile gap closer
  • A friendly gap closer, something that no one else has and can’t be stopped
  • Vision from range
  • Shields
  • Significant poke from range
  • Innate tankiness
  • Burst damage competitive with other supports

Yeah, Thresh is just dead as a doorknob if the damage on his ultimate and the shielding capability of his lantern is nerfed. What happened to “Thresh is all utility!” or “Thresh will always be viable”? Oh.

Lulu – Like many people, I don’t like seeing Lulu being turned into an annoying mid/top champ instead of the utility support she was designed to be. I love Lulu as a support to death, but she’s fucking up the game right now with her presence in the other lanes and it’s gotten out of hand. Half the reason late-game hyper-carries seem to work now is because teams can viably stick utility mages into their comps and protect them so well. I appreciate the thought behind the strategy, but Lulu affords teams this with little cost. Nerf her. Compensate support Lulu if needed, but get her out of the other two lanes.

Banshee’s Veil – Good change, though the numbers might need to be tweaked, as always. The real problem with “League of Lategame” isn’t that games reliably go into lategame, despite the wailing from all the assassins and Dravens of the world, but that there are lots of little factors that hinder teams from closing the game out after getting an advantage. Veil is one of them. It disrupts engage and teamfighting by routinely negating the threat of powerful abilities. That’s what it’s supposed to do, but it shouldn’t be so thoughtless.

Frostfang and Co. – the item gives way too much gold for little risk, the exact opposite of its stated design intent. Good change.

Nomad’s Medallion and Co. – the item needs just a bit more utility. Gives very little reward for little risk, as it should, but the reward is too small, I think. Good change.

Not much else to say. I’m going to go actually play the game now instead of pretend I know how to design it.

Zankyou no Terror – 2

SILLY.AIZEN.JUST-AS-PLANNEDSo after last week’s comedy of a plot, Zankyou no Terror tries its best to avoid veering off the rails into the City of Stupidburg. In Episode 2, it succeeds…barely. As far as I can tell, the crazy train has stopped only about a kilometer or two out from the city and is hanging out until the engineer-writers can fix its brakes so they never function again. We start off the episode with some dry, yet intelligent scenes about the aftermath of last week’s bombing. It turns out that, somehow, nobody died. Only 28 were injured by this explosion. Mildly. In downtown Tokyo. Population density: 6029/square kilometer. Uh huh. Yeah. Bullshit. I can kinda suspend my disbelief and accept nobody in the building died, but you can’t get me to accept the notion that somehow no passers-by were seriously hurt by the falling debris at the very least. Even if we accept all that lunacy for the sake of argument, that can only be attributed to sheer dumb luck, not wizard-hacker planning on the part of these teenagers. But of course, that’s what the plot implies. Nope. Not buying it.

Anyway, the writers go through explaining how these terrorists were able to make some basic thermite bombs and predict the chemical reactions that would occur if water were to fall on it. Yes, these supergeniuses flex their intellectual muscle because they paid attention in the high-school chemistry classes they never attend or because they found easily available material on the Internet. Magnificent. I’m pretty sure the issue with bombmaking is less about the basic chemistry involved and more about building reliable devices that actually work. Whatever, I’m sure they were trained in Unit 731’s backup facility that they grew up in. An aside: VoN probably stands for something like “Voice of N,” where N is some inappropriate English noun. Not that it really matters.

All right, so here we go with their next evil plan: these two terrorists post another video on Definitely-Not-Youtube in which they don’t bother to disguise their voices or appearance. Way to give the police some pretty crucial information on you: they now know your numbers, general age, appearance, basic psychological profiles, and that you like to make weird puzzles about obscure versions of Oedipus. The episode tries to then make this seem like a pretty deep plot with the supergeniuses stringing along the dumb adults for the whole ride, but again, fails to get me to care. Aizen Sousuke the Younger goes off to a police station, making himself look like a delivery guy so he can plant his bomb without suspicion. ‘Cause that’s exactly what police stations do: let delivery guys wander off into the station unaccompanied instead of just taking the food right then and there. You know, like normal people. Nor do police officers ask themselves questions like “who is this person walking around in the back of the station without an escort or any form of identification? What is he doing with this large metal canister that doesn’t smell like food? Aren’t we all supposed to be on high alert after a major government building was just bombed a few days ago?” Of course not. I stand by what I said last week: if there is no risk or sense of danger to the protagonists whatsoever, I do not give a shit about anything they do whatsoever.

Meanwhile, the plot’s setting up this Shibazaki guy as a reluctant hero. Don’t care either. He just did some basic detective work based on a riddle billions of people already know off the top of their heads because they read things. What makes him so qualified? Is it because he has a surname? Meanwhile, Hazuki Nagisa the Insane talks to Lisa about being an accomplice and killing her if she makes a move right in the middle of a crowd of teenagers. Oh, and he just happens to look and sound like the guy on the video the terrorists posted on the Internet, a place teenagers tend to frequent. I guess he used blood magic to make sure nobody saw him. That’s as reasonable as any other explanation.

God, this anime is a piece of crap. But at least it gives me something to write about.

PS: Lisa has family problems. Now be sad.